Poems and songs about those artists who die young are easy to find.* Why should that be? Well, tragic aspects there are plain to see and it’s easy to note the lost potential in an early exit. I think there’s a further factor too: we are much in love with the trope of young artists whose work is caught in a rising arc before falling with melted wings. It’s extraordinarily difficult for an artist to continue to impress or delightfully surprise over a long career. We artists repeat ourselves and are judged to have become stale — or we change and produce work that isn’t judged correct to be coming from us. Perhaps this is inevitable. Or maybe in part it’s us as readers, listeners, audience, who contribute some faults to this by always seeking new faces — or the practical use of any failures as telling markers to drop attention.
I’ve made no secret here that I’m old. I missed out on being a has-been and I’m not anyone’s coming thing in the arts. In a strange way I find that frees me from those burdens, and I only need to carry my age and infirmities while producing new work. This summer as the blog and listenership has its seasonal drop off, I’ve indulged myself and your attention with more work with texts written by Dave or myself. I do notice that the poetry I’m presenting here of mine is overwhelmingly focused on loss, something Dave usually avoids. Young poets, young musicians, often add gravitas with similar emphasis — and I should note, young artists can and do directly experience those things outside of the world of imagining. Experienced artists may more likely realize this is a choice, one that we are free to question and doubt. But, speaking for myself and my summer it’s been more at reporting. The everlasting crisis of the wider world continues — unjust losses there are still noted — but each day I think of the closer infirmities of those I know: small losses for me beating in resonance to their greater losses, and less specific worries and predictions for myself standing before me as I look through them to assay these others unavoidably present and particular ones. This is likely the selfish and self-contained man’s version of empathy.
I enjoyed some dissonant chord colors and an “Is it in major or minor?” rub in this one’s music.
Today’s piece uses a text of mine I call “To Poets Not Dying Young.” The effect I’m trying to convey is the wearing of life on the body and soul of older poets who persist in their observation and writing, and it’s written in the hope that we, as audience, retain our ability to read and hear them. I do worry that the images are too enigmatic in this one, but maybe the connotations or some incantatory power will carry the effect through to you. Even to myself, their author, some of the images reflect more than one thing, and I’m not sure if that’s good or bad.
The Parlando Project plans to restore our usual service in presenting texts by other writers in upcoming pieces you’ll see here soon, but to hear this one you can use a player gadget below if you see it, or this highlighted hyperlink which will open a new tab window with an audio player.
*Here’s a post and a short and graceful poem linking several “died young” poets by American poet Anne Spencer. And here’s a real-life ghost story post that has as its musical bit a poem by Carl Sandburg about another poet who died young.
And here are three to argue from the other side for older artists persisting. An aged Longfellow calls on the spirits of other older artists to make his case. And his contemporary in Britain, Tennyson famously hymned a possibly deluded old Ulysses asking for one more voyage. And here’s another one of mine, in full rock fury recalling a young man who was once thought a coming man in his field and who persisted in making art past fame. If you didn’t like today’s musical piece, these five pieces will give you a wider sample of what we do here.