Is it time to take a break from our sometimes intense presentations of poetry combined in some way with music? Well, here’s a little ditty about the lighter side of death, or rather the worship of dead rock stars.
My observation is that though there are still the occasional premature music casualties in the current environment, that the worship of “The Greats are Taken from Us Too Soon” variety is reduced among young people today. Perhaps that’s a healthy sign, or it could be secondary to the casualties not having the right mix of fame to burn brighter at the graveside. And in the past, the other half of this project’s concern, poetry, has not been immune to the praise of dead talent, particularly dead, young talent, either.
Sure, it can be a honorable thing to give respect to those who’ve gone, to carry their artistic flag further when they can’t, but there is another side, the romantic admiration for the risks and the access to excess that often precedes the early death of musicians, writers, and other artists. The first duty of an artist is to survive. Society is not generally on the artist’s side until they become successful commercially, and even when it grants them that success, it can withdraw it and their support quickly too. To add to that burden with one’s own self-medication and distractions seems like a compensation to that state, but it doesn’t always work that way.
Poet, songwriter, alternate voice, and frequent keyboard player here Dave Moore wrote a short poem about how an older person might view with a strange kind of envy the tentative fame and unbounded experiences that others in our musical/generational cohort enjoyed. Sex, drugs and Rock’n’Roll once seemed to be jobs on offer in the want ads in our youth, even if it turned out the positions were already filled and the items already sold. I adapted Dave’s words, added a verse of my own, and wrote music for my performance of “They’re Not the Grateful Dead” some years back and thought you might enjoy it here. Oh, that “Grateful Dead” in the title? Translated folkie Jerry Garcia knew that this was a trad folk song trope where the dead magically and musically express some gratitude.
Who’s who for any crate digger obsessives: Hopkins, Hendrix, Moon, Jaco, Saxon, and Thaxton are hereby linked.
One thing I like about Dave’s lyric is that, outside of Jimi Hendrix he doesn’t pull in the big names, the Boomer rock’n’roll Shelleys and Byrons, the ones that are still featured faces in the rear-view mirrors looking at the music and times. Starting right off with Nicky Hopkins* is a bold move, but then Dave is a keyboard player.
The song’s conclusion has a little fun with the sentimental “If there’s a rock’n’roll heaven, you know they’ve got a hell of a band” thing. Keats’ unheard music may be sweet, but it’s still hard to hear.
My performance of this has a few flubs, but it’s hard for me to get more recording in right now, so we’ll make do with this older recording as is. The player gadget is below for many of you, but if you don’t see it, this highlighted hyperlink will also play my performance of “They’re Not the Grateful Dead.”
*Huh. Who? Those who didn’t ruin their eyesight fantasizing about debauched after-parties but by reading all the liner notes on every LP will know who Nicky Hopkins is.