Good Night

Here’s a mysterious poem by Carl Sandburg that makes its mystery in an unusual way. I think it may have been written for a child or for children, but by accident or design the matter of the poem makes a different sense as I read it now.

What makes me think it was written with children in mind? There’s the repetition of the idea of spelling these two short, common words in the title, neither of which are “spelling demons” that are difficult for adults to spell. And then further repetition in saying the two words “Good Night.” It seems something between a lullaby or a book like Goodnight Moon,  beloved of parents seeking to ease their child to sleep. The middle of the poem has three episodes of things gloriously becoming gone and away, as if being left for sleep and dreams.

This is where the poem now seems to take on a layer that I’m unsure was part of Sandburg’s intent in 1920 as I read it in 2020. He starts with fireworks—which are firing all about me on this Independence Day night as I write this post. Besides the noise—and noise normally has a note-length and measure—a visual aspect which a fireworks display is notable for is its short duration. Those colors and light against a night sky may be stunning, but they are short. They are memories almost from the moment they burst.

And then comes two other short episodes: a steam train and a steam boat. The steam train on a moonlit night is moving of course, but its spume of exhaust is also leaving skyward. Likewise, the river steamboat is moving past a geography leaving the sound of their steam powered horns carrying across the fields they are not as stationary as.

Carl Sandburg and a BIG microphone

Carl Sandburg. From the size of it, that microphone looks like it could be steam-powered too.

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Sandburg the boy would have known those two steam-powered things. A child in 1920 could know them too. They were the ordinary things of freight and travel. In a few decades these steamers would be obsolete and all but extinct. 1920 is a little too early for Sandburg to know that. When he wrote his poem they were moving and gone. Now they are gone and gone. Carl Sandburg is gone too of course. And if he told this poem to his children? They grew up, aged, and are gone too. Many ways to say good night. Many ways to spell good night. Many ways, all leaving. Oh! the boom! The red and yellow, the blue and gold spreading and tailing! Ah! Many ways, all leaving.

The player gadget to hear my performance of Carl Sandburg’s “Good Night”  is below.* And here’s a link to the text of this short poem if you’d like to read along.

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*Unless you’re reading this on the WordPress Reader app on an Apple phone or tablet, which for some reason can’t show the player. In those cases, this highlighted hyperlink will play it. Alternatively, the Parlando Project audio pieces are available as a podcast in Apple podcasts. Thanks for reading and listening!

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