Today’s piece recounts a common Midwestern experience, returning on a holiday to the much smaller town where one grew up.

For my post WWII generation, these smaller towns retained in our youth much of the vibrancy they had gathered in the first half of the 20th Century. The American rural world was larger then. Car travel was still not universal. Small farming and small manufacturing and small schools hadn’t been efficiently improved to larger sizes. Mass media, which seemed so large and potentially dangerous then, amounted to radio, newspapers, magazines and eventually a trio of gray and silver TV stations as the little rounded screens hovered into homes like flying saucers. So these little autonomous towns continued, 1950 like 1920.

How many of us, old now, can still, in memory, walk down main streets of their towns and small cities of their youth, seeing the storefronts, and hail silently the adult walkers and lost peers who might be walking there too? As I meet and talk to people near my age whose childhood was in larger cities, I find that they too had similar memories of neighborhoods. These neighborhoods were in effect, villages inside their cities—but this piece is about small Iowa towns in particular.

When we grew up, went to college, or left for adventure, marriage, or other work, we left a town and a time. When we went back to these towns, to visit our parents, our parents and our towns are found changed, not into coral bones and pearls, but into places slowly emptier and less vital. The storefronts empty and the eyes less bright; the houses, faded with dead paint and backs swayed.

Full fathom five thy father lies.
Of his bones are coral made.
Those are pearls that were his eyes.
Nothing of him that doth fade,
But doth suffer a sea-change
Into something rich and strange.

Eventually, it is as if the thread of memory has been unraveled from a large ball of yarn, and now the ball is no more.

In this way, our hometowns disappear, becoming gradually diluted of everything we could return to. Today’s piece “Homeopathic Hometown” is about this. Homeopathy is the theory that you can dilute a medicine until it, like our hometowns, retains nothing—or next to nothing—of the the medicine, and yet the solution will somehow “remember” the medicine and its effects.

That of course is how nostalgia works. We remember our personal version of the hometown, and find there is a hole between the molecules as we revisit our hometown. I suspect those without the specific gravity of our memories live now in a different appreciation for the place. It will take time for their own dilution to complete.

Iowa! What am I doing in Iowa instead of Berlin?

I wanted to see late 20th Century decay, but, hog lots?

Musically, I was trying to emulate here the sound and feel of the David Bowie/Brian Eno “Berlin Trilogy” when I wrote and recorded this in 2015, about a year before David Bowie would suffer his own sea-change. Much of what sounds like keyboard syths in the mix is instead “normal” guitar filtered and delayed. I think the mix works especially well with headphones or earbuds on this one.