Is it even possible to mention Stonehenge without risking the unbidden memories of the feet-to-inches comic debacle from Spinal Tap? Well, that’s one reason I’m a little hesitant to introduce today’s piece in our Halloween Series this year.
But still, I’ve been talking and singing about ghosts, ancestors, spirits, and their home fires a good deal, and I remembered this performance by the LYL Band of this song I wrote after visiting an altogether homier set of Neolithic English standing stones at Avebury several years back. I understand Stonehenge is fenced off, and that enforced distance probably does little to staunch the tales of quasi-Medieval druids with magical rites floating stones in the air. Avebury’s large henge basically had a country hamlet grow up inside it, there’s even a pub in the midst of the circle. You can walk right up to the stones, feel these cool earth-aerials, measure them against one’s own height and age. A walk around the Avebury henge is a good walk, and one may also look over the equally amazing earthen ditch-works that are part of the site. As you stroll a flock of official government sheep wander the grassy meadow keeping overgrowth at bay without internal combustion clatter. So at Avebury, as I was walking around all this, I did not think of druids. I thought of men and women who dug and moved that earth, dug and moved those stones, erected them watching over each other.
There are several rings in the henge at Avebury, and the stones are individual in shape and size, furthering the thoughts I had while visiting the site.
Did they have some chieftain or matriarch who planned and ordered its construction? Perhaps. What belief was being expressed in large rocks? Some likely, at least to the level that metaphor asks of us. But as I said, I thought of who did the work — the sweaty, hard-breathing, hand-callousing work. They worked stones with stones, dug with pickaxes made of antlers. At night in what huts did they sleep, on dried grass beds perhaps? And in that night they no doubt slept hard after their day of work, dreamt dreams harder than those of old poets who need only to move words around. If the energy of the earth and sky was transmitted up and down those big stone antennas, so too must the energy of their dreams be drawn in there. And I was there where they must have slept, dreaming under night breaths, their aches soothed by the rest. Dreaming of what? Children, parents, lovers, siblings, colleagues, whole days of rest, the mighty thing they would construct, a story, a prayer, a melody, the little joys of a meal or exactly good weather?
Not druid magic in my thoughts at Avebury, but I felt those dreams might be — no must be — harder than the dulling mutes of time. They sparked around in their heads, and when their heads became skulls and then dust, where is that spark, and can we read it still, tune it in? A belief, at least to the level of metaphor, felt we could. That’s the song.
Here’s the songsheet. If you ask for scenery to back your performance of this, get the measurements right.
The player many will see below will play “Avebury Song #2,” and if you don’t see it, you can use this alternative highlighted link. I hope to complete at least one more new Halloween piece to present here yet this month, though the moving pieces of my life doesn’t make that sure.