Tomorrow is called Veterans Day in the United States, but originally it was Armistice Day, celebrated on the day that World War I ended. WWI was a dark dividing line between all that came before and after. Books have been written about only one or two aspects of what changed, but a whole shelf of books could not tell all.

And this year is the hundredth anniversary of one year in that dark dividing line, 1916, when those that thought war was simple, or had to be simple, brought the 20th Century efficiency of the assembly line to killing in the battle of the Somme, where over one million men were killed or wounded.

One of the soldiers in that battle was a poet, Siegfried Sassoon. Last time we took a look at a funny and pious story from World War II, The Deck Of Cards, and had a little irreverent fun with the form of that story in my parody. In this piece, Sassoon’s Christ and the Soldier, the humor is very dark. I’ve heard that it was dark enough that Sassoon did not, or could not, publish it until the war was over.

As usual, I’m largely going to let he piece speak for itself. One thing I like about it is its use of dialog. For some reason, most poems eschew dialog entirely, and I think poetry misses out on a useful device by avoiding it. Musically it’s a mode that the LYL Band visits often, combining organ or piano with electric guitar. I play the guitar part on my Jaguar, a guitar that was once associated with “surf music” but has since had a revival in indie-rock circles. I play it often because its short scale and spring-softened action are friendly to my arthritic fingers.

To hear Christ and the Soldier, click on the gadget that should appear below, but some ways of viewing this blog won’t show it. In those cases, this highlighted hyperlink is another way to play the performance.