Productivity on this Project has been lowered this week for what seems to be a good reason. I’ve been attending online some of the Tell It Slant Emily Dickinson Festival put on by the Emily Dickinson Museum in Amherst. My focus from their offerings? So far I’ve heard every session of their multi-day, 15-hour, reading of all of Dickinson’s 1789 poems.
These marathon public reading sessions are wonderful, more rewarding than I would have predicted. Their format is to read from the Ralph Franklin edition of Dickinson’s poems, organized in a best estimate of order of composition, with a revolver of readers reading one poem, and then on to the next reader without pause. Online during weekdays, it’s been a Zoom thing, with the reader’s face appearing as they read in turn from their own office or home, and with the poem’s complete text appearing on-screen at the same time. The readers vary in voices and coldly-judged reading skill* — but this is a feature not a bug. You get a sense of humanity breathing the words of Emily Dickinson, and as it’s online, the readers and listeners aren’t even all in America as they celebrate this American poet.**
This process really impresses one with the immensity of Dickinson’s verse. There are often surprises with lesser-known poems catching my interest in-between the “greatest hits.” Dickinson’s various moods and voices come out, reinforced by the various readers approaches. In the side-chat text window, folks (and sometimes myself) react as the progress through the 1789 reaches their favorite poems.
In summary, even though I’ve read — and then spent the time to internalize and perform many Dickinson poems — this marathon reading has overwhelmed me with the facets and power of Dickinson’s work.
I’ve spent most of my Project time here this week.
There are still events this weekend, including two final sessions of the marathon reading, though I think the readers may be at a public event rather than in their homes and offices on the weekend. Here’s the event’s schedule and sign up site: The Tell It Slant Poetry Festival 2022 Schedule – Emily Dickinson Museum
Thanks to all the readers and the organizers. Want a musical piece? Here’s my expression of another Emily Dickinson poem that asks us to consider the slant. Player gadget below. Can’t see the gadget? This link then.
*I’ve worked for a radio network with experienced and skilled voices that expect/achieve a consistent performance when speaking with microphones, so I appreciate those easy-to-take-for-granted skills. But the variety of the readers in this marathon are a modifier of multitudes. Think of the difference between a professional, polished studio music recording and an informal get-together of an assortment of enthusiast musicians. Each has its flavor. The majority of the volunteer readers are as least as good technically as I would be in their role.
**These readers are volunteers. There are indications that one can just sign up to read, but the general level of reading skill I’ve seen indicates at least some self-selection is going on. Maybe 75% of the readers are women and there was only a smattering of people of color. This isn’t a gotcha note on my part. First of all, an all-woman roster could have expressed Dickinson’s range — after all Dickinson herself did — but modern English-language poetry has such a range BIPOC voices that I’d like to see more shades of faces volunteering and reading. I wouldn’t be surprised if the organizers feel the same way.
4 thoughts on “The Emily Dickinson Tell It Slant Festival”
It would sound so unbelievably different, but I’m thinking about recording my favorites of her for the public domain.
Click to access emily-dickinson-favorite-ulubione-teresa-pelka.pdf
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I get a “file not found” on the link.
Sorry, here it is:
Click to access emily-dickinson-favorites_ulubione-teresa-pelka.pdf
An intrinsic punishment for being so behind on blog-reading: I didn’t know about the festival!
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