Here’s a poem by Carl Sandburg, whose poems can be returned to for their light illuminating justice and injustice, but also because he will give you endurance and compensating love.

Injustice is large, it is ancient. Love is short as life, but nearer to us, and like the palm of a nearby hand it can blot out an immense but distant mountain. If enough hands are raised together, the most foreboding mountain can not only be obscured, it can be leveled.

How many in favor of more music and poetry?

Today marks the third year since the official launch of this project. My goal when I started was to create 100 to 120 audio pieces using various words, mostly other people’s words, and mostly poetry, combined with original music, music I planned to be as varied as I could make it. Today’s piece is the 360^th of these.

That number amazes me, even though/because I have been there creating each of those music/words combinations. It means that nearly every day in the past three years I have been—or I have been avoiding—searching for and selecting words, composing music, playing and recording that music and then presenting some thoughts on that encounter with you.

I started as a guitar player, and in this time I’ve become nearly a functional bass player and found ways to allow my naïve keyboard skills to direct music making from that direction too. My abilities to integrate bowed strings and orchestral instruments into these pieces has grown, something that I’ve been indulging in a bit this month.

During this time my son has grown from a grade-schooler to the doors of high school. I think he still finds this activity a little odd, and as far as I know he never reads these posts, only hears the audio pieces in their halting steps of creation. He might recognize it later. Many of the posts here were written with him as the audience in mind.

My wife has been patient and forgiving of the time I spend on this, for which I am grateful. These few words are not thanks enough.

Dave Moore (you’ll hear from him again here soon) has of course been an important inspiration and help in the overall project.

And you, readers and listeners and fellow bloggers, are a large part of why this project has continued. This project has no revenue, no grants, no sponsoring institution. The reason it has continued past the first 120 pieces has been your response and assistance in spreading the word about it. You weren’t the reason I started this, but you’re the largest reason I continue with this project. Your likes, links and sharing help keep it going.

Renée Robbins. A memory too strong to forget and too heavy to carry. “Whisper, Oh beginners in the hills. Tumble, Oh cubs…”

So why did I start this project officially in August? I was thinking of my late wife, Renée Robbins, a caring person who helped and befriended many. I lack the personal skills to do what she did in that regard, but I can, in my idiosyncratic way assist the writers I present here. If poetry is a living art, it lives not just in the mind and memory, but in the moment and the ear. Thanks for your moments and your ears.

Earlier this year I presented part of the title poem from Sandburg’s Smoke and Steel  collection, the first poem in that book of his. Today’s piece is the concluding one in the same book. As I mentioned above I’ve been working on larger orchestral arrangements with woodwinds, horns, and string sections lately, and that’s what I’m using here. I’m kind of moving through different orchestral colors in this short piece to match the range of Sandburg’s catalog in his poem.

The player gadget to hear Carl Sandburg’s “For You”  is below. If you want to read the text of the poem, it’s available here.