Are there more poems about love than any other topic? I’ve done no study, but I think that’s likely.
Now, are the majority of the most prestigious poems about love? I strongly suspect they are not. If one looks at the top of the list compiled from mostly American modern poetry anthologies completed by Emily Temple for LitHub, less than a quarter are love poems—and this is so even if one loosely counts poems like “Prufrock” as love songs on the misdirection of the title.
Another thing I would expect to find, if one focusses on the poems concerning love, is that most that remain are about how love has gone wrong.
Perhaps that can be laid to the principle in Tolstoy’s famous line about families “Happy families are all alike; every unhappy family is unhappy in its own way.” Perhaps there is more varied material in love’s absences and discontents.
Why yes, I agree these pillowcases seem to have adequately high thread count, but I was shopping for a duvet cover.
Can this relative rarity have other causes? Could it also be that it’s harder to write a good love poem? Mere gushing has its limits, as true as it may be to love’s initiation. Honest love poems have their dangers, as they ride on a delicate balance point. My favorite episode of the BBC Elizabethan-era sitcom “Upstart Crow” has Shakespeare trying to explain that sonnet 130 “My mistress’ eyes are nothing like the sun” is a good love poem. Sitcom Shakespeare explains:
“Conventionally, love sonnets are ridiculously flattering. They make absurdly overblown claims for the beauty of their subjects. Well, we wouldn’t want that, would we? The love I show you in my startlingly innovative 130th sonnet is greater, because it recognizes your flaws.”
“Next time bring me sweets.”
No spoilers here. “Who The Bard! Me the Bard!”
And then there’s the episode’s ending when Kit Marlowe defends Shakespeare on a morals charge with a surprising legal defense. I won’t spoil that.
“Already a Broken Heart” is my own attempt at an honest love poem/love song. If even sitcom Shakespeare has troubles with honest love sonnets, I won’t claim success. Furthermore, I’m hesitant about the performance, as I’m asking my singing voice, the only one I have available in my production process, to do things it’s not good at. Sometimes I hear it as honest, and other times I hear it as insufficient. A better singer or singers could do much more with this.
Use the player below to hear “Already a Broken Heart.”