I’m often attracted to Chinese poetry, and I’m not sure why. Perhaps it’s the deceptive simplicity to the images, that hardly seem like images at all if one expects the showy metaphors used by many western poets. The concision of many of the most admired Chinese poems can be shocking. And to me there seems to be a radically flat broadness to the way some of the poets consider society and politics. Like a lot of my favorite UK folk songs, the tales of royalty and servants, peasants and generals, saints and drunkards seem to treat them all with the same even diction and consideration.
From what I read, Du Fu is highly regarded as poet in Chinese culture. He wrote in the 8th Century, about the time someone in Europe was compiling Beowulf between long drinks of mead out of cups made from skulls. Du Fu’s time was a chaotic one, with the Chinese kingdom falling into rebellion and civil war. “Spring View” is his response after his side had lost the battle and he was in disgrace.
Du Fu: the red trucker cap or the pink pussy hat?
In translating Du Fu’s “Spring View,” I thought of our own times, particularly here in the United States, three months now into some kind of change. Alas for Du Fu, I became so enamored of seeing our own current events in his lament that halfway through I started to get more “free” with my translation, until by the time I reached the final line, I chose to conclude on a different thought altogether from the original. Consider it a theme and variation composition.
I do not read Chinese, but here is Du Fu’s “Spring View” as written:
Musically this piece uses 12 string acoustic guitar, an instrument I love to struggle with. The overtones and extra harmonics of the 12 strings are the attraction, and the danger too, as they can clash a bit. Some musicians work very hard to try to even out the intonation of those notes to minimize this, leading to one of my favorite music jokes. Question: how long does it take to tune a 12 string guitar? Answer: Nobody knows.
“Every politician should be issued a 12 string, because you never really tune it, you just negotiate with it.”
My approximate ear has come to embrace the somewhat woozy sound of the 12 string for much the same reason that loud electric musicians may choose to welcome feedback or that electronic musicians select the detuned effects of things like ring modulators.
To hear Spring View (after Du Fu) use the player below.