Here a piece based on a short, incomplete poem written by a teenager who went on to do other things. You can tell he’s a clever young man. He’s infatuated with a neighbor girl, but there’s no such thing as texting yet—no such things as telephones either. Thankfully, love songs are a well-established technology, so he sets to work on one.
To make sure that she knows he’s serious about her, and not the other young ladies he’s been seen cavorting with, he decides it’s not just going to be a poem, it’s going to be an acrostic. The first letter of each line will, if read downward, spell out her full name.
If John Lennon had wanted to write “Oh Yoko” as an acrostic, it wouldn’t have added much difficulty to his verse. Alas, our teenager’s object of affections is Frances Alexander. Well it could have worse, if he was a teenager who wanted to write a love song to the New Zealand singer who performs as Lorde, and wanted to use her full name, he’d have to write a 27 line poem to Ella Marija Lani Yelich-O’Connor.
He only needs 16 lines to prove his love.
OK, he’s finished the “Frances” part, now onto “Alexander”
He gets to line 11. Gotta start with “X.” He grabs onto Xerxes, the famous Persian leader and general to fill out his acrostic, but one line later he runs out of gas and just drops the poem before finishing.
Our poet got his face on some money too
Didn’t finish the poem, didn’t get the girl, but our teenager like Xerxes became a famous general and eventually his country’s leader. He’s got a birthday coming up on the 22nd, but they celebrate our boy George Washington’s birthday as a US holiday today.
In writing the music for this piece, I decided to just take Washington’s words seriously. Even if the sentiments he uses are somewhat conventional (the “my love outshines the sun” trope was old enough that Shakespeare made fun of it more than 200 years before Washington got to it). Love songs sometimes make no effort to be original, and if done well, the human commonness of the experience of love becomes the point. Here, even if he was following his acrostic plan, young Washington takes a darker turn as he starts the second part of his poem, and I tried to bring that out in my version. To hear it, use the player below.