National news and household events continually waylay my attention. Dejected gutters, palace intrigues throwing glances on complicated and duplicitous political alliances, and a middle-schooler with the sniffles—how can one weigh these things against this small but welcomed audience here for music combined with (mostly) poetry? And so, I found myself short of material as I … Continue reading Jade Flower Palace
This summer I completed the goals I set out for the Parlando Project, which I originally envisioned as a one-year project to combine performances of various words with various music which I could present to the public here on this blog, or as podcast that could be automatically downloaded if desired. My original goals was … Continue reading Parlando Project Status Report
“The River Merchant’s Wife: A Letter” has a very complicated history. I can’t even say “Ezra Pound’s ‘The River Merchant’s Wife”— though he’s often listed as the author. Let’s begin, as a river or a journey might, at the beginning. Back in the 9th Century in China there were two great poets. One of them … Continue reading The River Merchants Wife
Writers often like to compose their written works in their heads while walking, and poets, all the more so. It seems natural—the walking footsteps and the metrical foot compare apace. I too have done this; and with poetry in particular, composing lines while away from any paper or screen may also help winnow out the more … Continue reading What Is It the Rain Dissolves
I started work on the Parlando Project early in 2016 by learning how distribute audio pieces via web-based player I could embed here in this blog and also through “Podcasting” where audio is listed for download on directories such as iTunes, Google’s Play Store, Player.fm and the like. Throughout the spring and early summer of … Continue reading How We Make the Parlando Project Pieces
I’m often attracted to Chinese poetry, and I’m not sure why. Perhaps it’s the deceptive simplicity to the images, that hardly seem like images at all if one expects the showy metaphors used by many western poets. The concision of many of the most admired Chinese poems can be shocking. And to me there seems … Continue reading Spring View
How do we determine what a poem is on about? That this should be a question is a reason many flee poetry. Plainspoken poems still exist, and some poets manage to pull off the technique where there’s an easily accessible layer, and then on further consideration, deeper ones beckoning beneath. But the plainspoken poems are … Continue reading Before Summer Rain, or we get to Rilke eventually
Nostalgia may be cheap, but none-the-less, we feel it. Perhaps by “cheap,” we mean “common,” and if so, should artists always flee that, the common experience? Interrogating the common may verge on an obligation in many answers to that question. What is it in our mundane experience that we may share with others, that we … Continue reading Small Iowa Town, after World War Two
What if you were to find out that a famous, much-loved poem was not a singleton, but that it was instead part of a pair? “The River Merchant’s Wife, A Letter” is perhaps the most famous Chinese poem in English, and it’s been widely anthologized since Ezra Pound published it in his 1915 collection of … Continue reading The River Merchant’s Wife, Another Letter
Before I present today’s audio piece, once more a story, one that has kept me up reading and thinking about it for the past week. Like many of the stories I’ll tell here, the events may seem at first to be far off and unrelated to you, as much a “who cares” as poetry is … Continue reading At the Beginning
