A couple of posts back I suggested we do more than poetry prompts or poem a day writing challenges for National Poetry Month. Here’s a demonstration of an idea that’s half-way there. While still a poetry writing prompt, it also acknowledges the tradition we’re working in. Write a parody of a poem you like, you … Continue reading Stopping by a Woods with Bad Cellphone Service for National Poetry Month
While continuing my observance of National Poetry Month, I must apologize for resorting to regular blogging form and writing about myself today. That sort of thing works for many, but I tend to run on a bit when I do it. It must take a long time to bore myself. Why, when, did I decide … Continue reading Meeting Music and Words, a personal history
Today we’re going to commemorate something we did to celebrate National Poetry Month during the earlier years of this Project. In a series of posts and performances each April over five years we serially presented the entire “The Waste Land” here. Eliot’s Modernist masterpiece famously begins “April is the cruelest month…” — a line that … Continue reading “Sweet Thames” from Eliot’s “The Waste Land” for National Poetry Month
This project’s subtitle Where Music and Words Meet portrays its interest in the ways words, mostly poetry, might interact with music. How that works varies. I use different kinds of poetry, and different ways to combine those words with the music written for this project. Song lyric writers, who intend their words to be sung … Continue reading Branches
Since I’ve spent hours this week soaking up all the Emily Dickinson spirit I can absorb, it’s time to see if I can let some of that experience overflow here today. Maybe someday I’ll count which poets’ words I’ve used the most in the Parlando Project, but since this is an ongoing thing we’d only … Continue reading A sampling of some of the Emily Dickinson performances the Parlando Project has done over the years
Are you familiar with the song “Reynardine?” You might be. It’s been performed by many of the best performers in the modern folk revival: Anne Briggs, Fairport Convention, John Renbourn, June Tabor, Bert Jansch and others.* Today as I extend our Halloween series, I’m going to introduce you to a version of the song you … Continue reading Reynardine
Sometime before The Police made it an album title, this project’s alternate voice and keyboard player Dave Moore took to using the term synchronicity to explain some things that going forward cause significant effects where there was no pre-existing reason or even connection. Maybe me seeing Dave read a poem in a church while we … Continue reading Synchronicity: Spring 2022 Parlando Top Ten numbers 4-2
It’s that time again when I present our quarterly countdown of the pieces most liked and listened to here at the Parlando Project during the past season. We’ll proceed from the 10th most popular and move up to number 1 in the next few posts. The bold-faced heading for each piece are links back to … Continue reading Fall 2021 Parlando Project Top Ten, numbers 10-8
It’s Easter and time to close my short Edward Thomas series for National Poetry Month with a short elegy written by a poet both less and more known than Thomas in the United States. But before I get to that, let me fill in a few spaces in the Edward Thomas story. I ran into … Continue reading Easter Monday (In Memoriam E. T.) for National Poetry Month
I’m presenting a song of summer desire today even as that season ebbs away, but first a little catching-up on the status of this Project for those who follow it regularly. I planned to produce fewer Parlando Project pieces this summer for a number of reasons. It’s become harder to find composing and recording time, … Continue reading Summer She Has No Lover
Frank Hudson 