What the Thunder Said Part 4 and completing our performance of “The Waste Land”

During this project’s first April #NationalPoetryMonth back in 2017 I started what has become a 5-year serialized performance of the entirety of T. S. Eliot’s “The Waste Land.”  And here we are today, finally completing that portion of our Parlando Project. Why “The Waste Land?”  for this lengthy each-April presentation? Several reasons. Like a number … Continue reading What the Thunder Said Part 4 and completing our performance of “The Waste Land”

She’s so unusual: "The Trees are Down” for National Poetry Month

Americans know little of English poet Charlotte Mew, who wrote today’s poem during “the last Twenties,” but her poetry shows some unusual qualities, particularly for her time.*  For example, this poem starts off off-hand and rises at its end to hearing an angel — so beginning like a reserved Frank O’Hara and ending as if … Continue reading She’s so unusual: "The Trees are Down” for National Poetry Month

A Game of Chess, presenting T. S. Eliot’s “The Waste Land” for National Poetry Month

Each April, as part of our celebration of National Poetry Month, the Parlando Project has been presenting in serial form T. S. Eliot’s High Modernist masterpiece “The Waste Land.”  This year, we’re up to the third section of the poem “The Fire Sermon,”  but before we present new material, I want to give our newer … Continue reading A Game of Chess, presenting T. S. Eliot’s “The Waste Land” for National Poetry Month

Her Lips are Copper Wire for National Poetry Month

Even with its most popular and well-known poems, poetry works, works its impact, one reader, one listener, at a time. Doing this project leads me to read a lot of poems. I’ll go through whole collections, entire anthologies, looking for things that I suspect I can create music for. That sense, “This could work with … Continue reading Her Lips are Copper Wire for National Poetry Month

Soul Selector Blues for National Poetry Month

Just suppose that back in the 1920s someone wanted to record a Blues song based on Emily Dickinson’s “A Soul selects her own Society,”  and so they waxed a 78 rpm platter at Paramount records “New York Recording Laboratories,” located back then in, well, Wisconsin.* If they did, it might sound a little like this. … Continue reading Soul Selector Blues for National Poetry Month