Today’s post uses a very short poem about a famous doomed adventurer written by a too-little-known early modernist soldier-poet. The words’ author, T. E. Hulme, is a name I kept running into as I read about the connections between modernist American and Irish writers in England at the beginning of the 20th Century. Many of … Continue reading Raleigh In the Dark Tower
Increasingly, I am comprehending the miracle of Emily Dickinson. Fifty years before Ezra Pound and T. E. Hulme constructed a compressed modern poetry replacing conventional imagery with fresh and direct observation, a woman in a rural town in the woods of Massachusetts had already practiced their innovations over a thousand times. Through a series of … Continue reading Crushed Before the Moth
We now come to the top half of our count-down of the most listened to and liked pieces during the past three months. But what if you’re new here, and you wonder what this Parlando Project does? In short, we take various words, mostly poetry, combine them with original music, and perform them. My intent … Continue reading Parlando Spring 2018 Top 10-Part Three
Here’s Carl Sandburg again, this time from his 1920 collection Smoke and Steel. Today’s piece “Long Guns” is a protest poem of a kind. A few decades later, around midcentury, the folk-song revival in America (which Sandburg had helped to kick-off with his pioneering American Songbag collection of folk songs) grew a wing that wrote … Continue reading Long Guns
A few posts back I dropped a performance of Walt Whitman’s “Poets to Come,” a piece where Whitman precisely states his understanding that he’s shown a new mode for poetry and allied arts, but that this new mode of expression will only be fully exploited and explored by artists in the future. And of course, … Continue reading Letters to Dead Imagists and A Pact
In my episodic way here, I’ve touched on the rise of Free Verse in Modernist poetry. Free Verse poetry may still be rhythmic and musical, but it follows no strict meter, nor does it use any rhyme scheme. Now an established tradition, it came to poetry written in English in a non-straightforward way. I think … Continue reading The Black Riders XXXIX
We’ve already met most of the small circle of poetic Modernists that assembled itself in London before World War I. From the United States, H. D. (Hilda Doolittle) and her one-time fiancé Ezra Pound; and from England, the combative and influential T. E. Hulme, and the risen from poverty F. S. Flint. Other poets, William … Continue reading The Poplar
As I warned everyone yesterday, I seem to like Daze & Weekes Sunshine Blogger questions a little too much. Longest post ever… 1. What inspired you to start blogging? The Parlando Project started out as a podcast, which I wanted to be just the short audio pieces combining various words (mostly poetry) with as varied … Continue reading There is another sunshine Part 2
Here we go, continuing our Top Ten countdown for the most popular audio pieces from the past Fall as counted by your likes and streaming listens. In the past two posts we’ve done numbers 10 through 5, so let’s move on to number 4. One thing I enjoy about this project is that I can’t … Continue reading The Parlando Project Winter 2017 Top 10 Part 3
Picking up from where we left off yesterday, here are the next three most popular audio pieces based on readers here hitting the like button along with the number of streams and downloads counted during this past fall. Number 7 is Edna St. Vincent Millay’s “”Sonnet 43”. I seem to be coming to a greater … Continue reading The Parlando Project Winter 2017 Top 10 Part 2
