Can we accept a little fall-off from Rilke last time to something I wrote? As long-time readers here know, the Parlando Project is about “Other People’s Stories.” Dave and I both write words as well as music, but I find it interesting to examine how I experience other people’s words, other people’s outlooks and visions. … Continue reading Breakfast in a Pandemic
One of the issues with being half-learned is that one can fall into traps and tasks that are more difficult than you expected. This week I thought, why don’t I translate some Mallarmé? Alternate voice here Dave Moore had given me a book on him for my birthday (which I haven’t had time to read … Continue reading Saint (Cecilia) and Translating Mallarmé
I said last time that the Midwestern American poet Carl Sandburg is not often thought of as an Imagist when we recount the Modernist revolution in poetry. Indeed, I get the impression that his work as a whole is summarized as folksy/clumsy by academia, the efforts of a low-fi Modernist with middlebrow pretensions to real … Continue reading Gargoyle
Poetry as an immediate witness to momentous history is not a common thing. Poems of events tend to autobiography, deaths, love, births, personal injuries and triumphs. Today’s piece has both elements—memorable on both counts. Guillaume Apollinaire is a major figure in Modernism with an influence across the arts as a critic and theorist. He popularized … Continue reading The Little Car
Man Ray was sort of Man Ray’s real name. His family immigrated to the U. S. in the 19th Century and like many families they changed their name along with their country, and so Radnitzky became Ray. His birth first-name was Emmanuel, which would be conventionally shortened to Manny, and with just a bit more … Continue reading 3D Blues
As we enter the week in which we note the ending of World War One a century ago, I want to call attention to some the ways we’ve shown poets wresting with that war in their own time. It’s a longer post, but each one of these pieces presents something different for Armistice Day. I … Continue reading The Greatest Hits of World War One
This is an elegy, not a love poem, but then an elegy is a love poem that replaces the focus masking the complexity of love with the common mystery of death. Even the images and incidents can have an eerie similarity, as an absence may be at the center of either. The author of today’s … Continue reading The Death of Apollinaire
I’m going to ask you to not read these notes yet. Listen to today’s audio piece first at least once. It’s short, two minutes long, it won’t take long. The audio player is at the bottom of this post. OK, now you’re back and you’ve listened to the piece at least once. Do you think … Continue reading How to Make Speeches
I promise you, we will end up today very close to the love song of the last episode, though we will travel a ways before we get there. I’ve not featured any French writers yet with the Parlando Project, but as this summer has used the words of many 20th Century English poets, we may … Continue reading L’Amoureuse
