This Monday is American Memorial Day, a day dedicated to remembering those that died in my country’s warfare. At its onset it was a solemn day for decorating graves, but over time it has lost some of that focus, with celebrations touching on generalized patriotism or military service. It’s also the calendar marker for the … Continue reading A poem about grief for American Memorial Day: June, 1915
You’ll sometimes find Edward Thomas filed under “War Poets,” but his best-known poem “Adlestrop” is a unique peace poem that emerged from a journal entry written a few days before war broke out in Europe in 1914. In Thomas’ “Adlestrop”, nothing happens — the sweetest nothing. This poem is lesser-known in America than it is … Continue reading Adlestrop for National Poetry Month
Though an often-puzzling poem, Eliot’s “The Waste Land” is tightly written. I’m not talking about some raw stat like its number of lines, but that the language itself works in its sentences and small phrases directly and without much waste. That’s not a Modernist-only tactic, but early Modernism did make it a goal. And a … Continue reading On the Troop Ship to Gallipoli for National Poetry Month
We continue today our National Poetry Month series where we re-release some of our favorite performances from the early days of this Project in the hopes that more ears will be able to hear them. Today’s piece steps forward a couple of years from yesterday’s, where in “Adlestrop” British poet Edward Thomas had written with … Continue reading Gone, Gone Again for National Poetry Month
World War I entered the worlds of both of our last two poems, and that war’s poetry was one theme we visited over the early years of this Project that coincided with the centennial of that conflict. The interaction between that war and the arts was complex, but here’s a simple question: did WWI cause … Continue reading The Death of Guillaume Apollinaire for National Poetry Month
It appears that no one reads or is concerned with American Modernist poet John Gould Fletcher these days. I came upon him in a passing mention that he was associated with Imagism, a pioneering English-language Modernist style that I find worthy of sustaining. Turns out this was only the half of it: in Fletcher’s “associated … Continue reading John Gould Fletcher’s weird “America”
It’s been sometime since I’ve posted here. Having fewer blocks of uninterrupted time to compose and record the audio pieces for this Project, I’ve spent time instead with that proudly designed to be a time-waster Twitter in the past week or so. Twitter* has its own news stories this week — but that’s not my … Continue reading The Absent Poetry of World War II
Today’s words are from a poet who’s been forgotten, but this one poem seems to have outlived all her other work largely because it’s a fine short ghost poem with a definite shiver from an ambiguous ending. The poem was called “All Souls’ Night, 1917,” and it was first published in 1920 in the author … Continue reading All Souls’ Night
It’s Easter and time to close my short Edward Thomas series for National Poetry Month with a short elegy written by a poet both less and more known than Thomas in the United States. But before I get to that, let me fill in a few spaces in the Edward Thomas story. I ran into … Continue reading Easter Monday (In Memoriam E. T.) for National Poetry Month
As we enter the week in which we note the ending of World War One a century ago, I want to call attention to some the ways we’ve shown poets wresting with that war in their own time. It’s a longer post, but each one of these pieces presents something different for Armistice Day. I … Continue reading The Greatest Hits of World War One
Frank Hudson 