Before we continue with our count-down of the most liked and listened to audio pieces this past spring, let me remind newcomers what the Parlando Project does. We take words (mostly other people’s, usually poetry) and perform them along with original music in various styles and sounds. I really try to honor that intent for … Continue reading The Parlando Spring 2019 Top Ten Part 2
Last time we had a young man, an American walking in Paris in 1913 who came upon his poem leaving the Metro. Today, another young man, an Irishman in London in 1890, is walking too. He comes to a shop window, drawn by the sound there of water splashing. Looking in, he saw a fountain … Continue reading The Lake Isle of Innisfree
Here’s a romantic poem by William Butler Yeats, in both senses of that word. “He Wishes for the Cloths of Heaven” is Romantic in the literary and artistic sense in that it seeks to reconcile personal emotional experience with some sublime otherness through imagination, and it’s romantic in the sense that the poem takes a … Continue reading He Wishes for the Cloths of Heaven
“If music be the food of love, then play on…” So said Shakespeare and Peter Green’s Fleetwood Mac. Here at the Parlando Project we explore music and words (mostly poetry) crushing on each other, and some of our most listened-to audio pieces feature aspects of love. So, for Valentine’s Day here’s a countdown of our … Continue reading Love’s Greatest Hits
One thing I loved doing to stretch my culture and entertainment dollar back in the 20th century was to go to a used record shop and look for unusual records. The more disorganized and undiscerning the shop, the better for my purposes then—since the lowest price was important, and whatever the time spent, it was … Continue reading Memo from (W. J.) Turner ‘There Came a Lion into the Capitol’
Complaints about the size of the audience for poetry are far from new. So too, complaints about the quality of its audience. Throughout the course of the 20th Century, one increasingly common theory was to assume that a quality audience for poetry is likely incompatible with a quantity audience for the art. We’ve just about … Continue reading The Fisherman
We’ve already met most of the small circle of poetic Modernists that assembled itself in London before World War I. From the United States, H. D. (Hilda Doolittle) and her one-time fiancé Ezra Pound; and from England, the combative and influential T. E. Hulme, and the risen from poverty F. S. Flint. Other poets, William … Continue reading The Poplar
Let us for a moment consider length in English language poetry. Despite the customary inclusion of one or two very short poems in most American poetry anthologies (“The Red Wheelbarrow” or “In A Station of the Metro” typically), one can easily derive from them an accumulated mainstream judgement that poems shorter than a sonnet’s 14 … Continue reading The Wild Swans at Coole
Let’s return again to Edna St. Vincent Millay as I start a short series of pieces using words by more well-known poets, each of whom considers the book of nature as played out by birds. Millay’s “Wild Swans” may be somewhat overshadowed in the Cygnet Committee by William Butler Yeats’ “The Wild Swans at Coole,” … Continue reading Wild Swans
I’m continually a few days behind in the past month or so, what with Winter holidays and other appointments and responsibilities. Some of the audio pieces have been recorded especially expeditiously, and another part of this project has been neglected: the searches I take to find words (mostly poetry) I combine with original music. Because … Continue reading God Is In the All Time
