Complaints about the size of the audience for poetry are far from new. So too, complaints about the quality of its audience. Throughout the course of the 20th Century, one increasingly common theory was to assume that a quality audience for poetry is likely incompatible with a quantity audience for the art. We’ve just about … Continue reading The Fisherman
We’ve already met most of the small circle of poetic Modernists that assembled itself in London before World War I. From the United States, H. D. (Hilda Doolittle) and her one-time fiancé Ezra Pound; and from England, the combative and influential T. E. Hulme, and the risen from poverty F. S. Flint. Other poets, William … Continue reading The Poplar
Let us for a moment consider length in English language poetry. Despite the customary inclusion of one or two very short poems in most American poetry anthologies (“The Red Wheelbarrow” or “In A Station of the Metro” typically), one can easily derive from them an accumulated mainstream judgement that poems shorter than a sonnet’s 14 … Continue reading The Wild Swans at Coole
Let’s return again to Edna St. Vincent Millay as I start a short series of pieces using words by more well-known poets, each of whom considers the book of nature as played out by birds. Millay’s “Wild Swans” may be somewhat overshadowed in the Cygnet Committee by William Butler Yeats’ “The Wild Swans at Coole,” … Continue reading Wild Swans
I’m continually a few days behind in the past month or so, what with Winter holidays and other appointments and responsibilities. Some of the audio pieces have been recorded especially expeditiously, and another part of this project has been neglected: the searches I take to find words (mostly poetry) I combine with original music. Because … Continue reading God Is In the All Time
The last few days I’ve been looking back over the past three months at the audio pieces that received the most listens and likes from visitors here, and we’ve now counted up to the post revealing the most popular piece. But before I get to that, let me let newer visitors here know what the … Continue reading Parlando Project Winter 2017–the Most Popular Piece of the Last Season
For reasons of copyrights, I’ve been focusing a fair amount here on using words from the most recent poems whose rights are in the public domain (pre-1924). One side-effect of that: during the run of this project we’ve presented a good number of poems about World War I, which I recently called “The last war … Continue reading Zeppelins
In 1899, as the 19th Century was leaving in Victorian London, a 13-year-old boy from a large poor family left school and went to work at whatever jobs that could be found. An unremarkable story. After several years, and some job security as a civil service typist, he could enroll at a workingman’s night school. … Continue reading Poems In Unrhymed Cadence
A while back here there were several episodes where we discussed songwriters as literary figures, using the springboard of Bob Dylan getting the Nobel Prize for Literature. Dylan was the third songwriter to receive this award, preceded by William Butler Yeats and Rabindranath Tagore. But the Nobel prize is not really all that old, and … Continue reading Let Us Live and Love
There’s two things that attracted me to T. E. Hulme, the lesser-known Modernist poet and theoretician that I’ve featured a few times this summer. The first is the sense in his poetry and critical writings of the limits of humankind. The other is his poetry’s surprising modesty and restraint, something embodied in the very brevity … Continue reading The Heart of the Woman
