We’re now nearing the top of our look back at the most liked and listened to audio pieces this past fall. Yesterday we used words from a trio of women writers, and today starts off the same way. If you missed the original posts on my encounter with these texts and creating the music for … Continue reading Fall 2019 Parlando Top Ten, numbers 4-2
When I started this project a few years ago I didn’t realize that I’d have to largely work with poetry which is in the public domain. This can still disappoint me, but there’s been a welcome side-effect. This limitation caused me to look deeply into the first couple decades of the 20th century for texts … Continue reading Night, and I Traveling
One of the issues with being half-learned is that one can fall into traps and tasks that are more difficult than you expected. This week I thought, why don’t I translate some Mallarmé? Alternate voice here Dave Moore had given me a book on him for my birthday (which I haven’t had time to read … Continue reading Saint (Cecilia) and Translating Mallarmé
William Carlos Williams Kora in Hell is an unusual book. Its subtitle: Improvisations promised me more than it delivered. Improvised or semi-improvised poetry, that true Jazz poetry where the author composes on the spot from themes or from spontaneous inspiration is something I admired and—to a degree—practiced in my youth. The improvisations of Williams’ book … Continue reading An exchange from the Prologue to Kora In Hell
Whose fault is it when a poem is hard to comprehend, to understand? The first thought may be that it’s the fault, or even intent, of the author. Communication via written language has its weaknesses, but we know from our day to day lives that it can convey information successfully. Poetry, particularly poetry of literary … Continue reading Conversion
Before we continue with our count-down of the most liked and listened to audio pieces this past spring, let me remind newcomers what the Parlando Project does. We take words (mostly other people’s, usually poetry) and perform them along with original music in various styles and sounds. I really try to honor that intent for … Continue reading The Parlando Spring 2019 Top Ten Part 2
I’ve mentioned in passing that I was reading Genevieve Taggard’s 1930 The Life and Mind of Emily Dickinson this spring. The busy schedule of this project, and life in general, slowed my reading-rate, but I thought I’d share a few brief thoughts about it after I finished it. Once I read about this book, I … Continue reading The Life and Mind of Emily Dickinson by Genevieve Taggard
Today, somewhere, someone probably asked this question for the first time, and yet I’ve been aware of this question for my entire adult life. So, before I try to address the question, let me ask first, how long have we been asking this? The ancients didn’t ask it. It seems clear that if one goes … Continue reading Are Song Lyrics Poetry? Part One
Continuing our exploration of National Poetry Month, let’s open another door. You unlock this door with the key of imagination. Beyond it is another dimension—a dimension of sound, a dimension of sight, a dimension of mind. You’re moving into a land of both shadow and substance, of things and ideas… Yes, I’m speaking of mid-20th … Continue reading Poetry in Gray, Part 1
Let’s just name the winner right off, and kill the suspense: Wallace Stevens’ “To the Roaring Wind.” There was a time in my teens and twenties when Wallace Stevens grabbed ahold of me. I think back at that young man and try to wonder why. Well there was the accident of a very affordable collection of … Continue reading The Most Popular Parlando Audio Piece This Past Winter 2018-19
