Today we continue on with our look at the most listened to and liked pieces last spring. It’s a mixed bag, because that’s what this project has done: one 19th century poem recast, one Modernist classic, and a song by Parlando Project alternate voice Dave Moore. Music? A keyboard heavy arrangement, an LYL Band performance … Continue reading Spring 2020 Parlando Top Ten, numbers 7-5
I said last time that the Midwestern American poet Carl Sandburg is not often thought of as an Imagist when we recount the Modernist revolution in poetry. Indeed, I get the impression that his work as a whole is summarized as folksy/clumsy by academia, the efforts of a low-fi Modernist with middlebrow pretensions to real … Continue reading Gargoyle
Musically we ricochet again (as this project often does) from last-time’s acoustic South Asian ensemble to today’s rough’n’ready one-take rock band. For the words though, maybe not so great a jump, even though Ralph Waldo Emerson and Robert Frost are approximately a century apart. Emerson is the prime American cultural instigator. Like many pioneers it’s … Continue reading Emerson’s Fable
Besides being National Poetry Month in America, April is also the birth month of William Shakespeare. The 23rd of April is sometimes celebrated as his birthday, though we don’t actually know that, only that his family baptized him and entered him into their church’s records on April 26th. The 23rd is also a handy date … Continue reading Shakespeare’s Sonnet 152
As we continue our April celebration of National Poetry Month, here’s a poem by Wallace Stevens. Like Keats, Stevens was another poet I liked as a teenager, and like Keats I read him for his language without having a substantial grasp on what exactly he was getting at yet. “Disillusionment of Ten O’Clock” is however … Continue reading Disillusionment of Ten O’Clock
We’re now nearing the top of our look back at the most liked and listened to audio pieces this past fall. Yesterday we used words from a trio of women writers, and today starts off the same way. If you missed the original posts on my encounter with these texts and creating the music for … Continue reading Fall 2019 Parlando Top Ten, numbers 4-2
When I started this project a few years ago I didn’t realize that I’d have to largely work with poetry which is in the public domain. This can still disappoint me, but there’s been a welcome side-effect. This limitation caused me to look deeply into the first couple decades of the 20th century for texts … Continue reading Night, and I Traveling
One of the issues with being half-learned is that one can fall into traps and tasks that are more difficult than you expected. This week I thought, why don’t I translate some Mallarmé? Alternate voice here Dave Moore had given me a book on him for my birthday (which I haven’t had time to read … Continue reading Saint (Cecilia) and Translating Mallarmé
William Carlos Williams Kora in Hell is an unusual book. Its subtitle: Improvisations promised me more than it delivered. Improvised or semi-improvised poetry, that true Jazz poetry where the author composes on the spot from themes or from spontaneous inspiration is something I admired and—to a degree—practiced in my youth. The improvisations of Williams’ book … Continue reading An exchange from the Prologue to Kora In Hell
Whose fault is it when a poem is hard to comprehend, to understand? The first thought may be that it’s the fault, or even intent, of the author. Communication via written language has its weaknesses, but we know from our day to day lives that it can convey information successfully. Poetry, particularly poetry of literary … Continue reading Conversion
