Here we go with our quarterly run down of the most liked and listened to audio pieces over the past season. We’ll be counting up to the most listened to piece over the next few days as we approach winter solstice. Who’ll chart? The most famous poets with their best-loved words? The literary poets’ … Continue reading Fall 2018 Parlando Project Top 10 Numbers 10-8
I can’t say what day this happened, but it was sometime in 1916 in Davenport Iowa. A well-off, Harvard-educated man in his mid-thirties named Witter Bynner was visiting a former Harvard classmate Arthur Davison Ficke in the latter’s elegant home. Besides family wealth, both men shared an interest in the arts, and both were published … Continue reading Two men walk into a hotel room, and…
It was an odd summer traffic-wise for the audio pieces of the Parlando Project, with listens quite slow in the first half of the season, and then picking up to the point that August listens were a near record. That increase in traffic (new listeners?) may be why we had no older, pre-summer audio pieces … Continue reading Summer 2018 Parlando Top 10
Two threads lie here, waiting to be woven together. One thread: those young pre-WWI Modernists, the other: writers in old age. Young: Mina Loy, Alfred Kreymborg, Glaspell and Cook of the Provincetown Playhouse, early in their careers, workers shaping modern literature—though none of them are remembered much now. Older poets: Longfellow, Donald Hall, and even … Continue reading Seventeen Almost to Ohio
It’s now 1916—well not really—but allow me immediate mode for the time being. Some early 20th Century Modernist characters we’ve already met are about to collaborate in New York City with a largely forgotten figure whose words we’ll meet today. The Provincetown Playhouse, that CBGB’s of Modernist American theater, has moved its organization from the … Continue reading To W.C.W. M.D.
You may have noticed fewer new pieces posted here over the past month. There are a variety of un-interesting reasons for that, but one cause is worth a post, even if it’s not representative of what you usually find here. Think of it as a “make up post” for the missing activity this July. This … Continue reading Three Places In New England
Last post I spoke of Mina Loy and her pre-WWI adventure in Italy with the Futurists who would eventually become Italian Fascists. Loy utilized Modernist tactics in her own art and writing, but she was apparently wise enough to see the violence and totalitarianism in that Italian strain for what it was and extracted herself … Continue reading It Happened Here
Today we return to the early 20th Century Modernists with a piece using words by Mina Loy. Last post we had a poet taking a political stand: Longfellow aligning himself with the movement to abolish slavery. Decades later, the Modernists joined political movements too. One might suppose that since Modernism sought to overthrow the old … Continue reading Pig Cupid
I spend an invisible part of the iceberg in this project looking around for material that I think might work combined with music. One thing invariably happens when you look broadly at something: you find connections that you didn’t expect you’d find. Here’s something I’ve noticed this fall: around 1875 or so, in a small, … Continue reading The Young Intellectual
Metaphors, implied or direct, are a form of an equation. If E=mc2 or 2+2=4 then should fog=little cats feet? Well, not exactly. But for some poems the metaphor, the image and “what it means,” is surprisingly equal at each side of the equals sign. Here’s a poem that Ezra Pound included in the first Imagist … Continue reading I Hear an Army
