Let me write today about two possibly useful incidents in this project’s working process. Let’s start with the process of translation or adaptation of 8th century master Chinese poet Li Bai’s words. Long-time readers here will know I rely on English language glosses. Here’s the one I used to start work on today’s piece: High … Continue reading my adaptation of Li Bai’s “Staying the Night at a Mountain Temple.”
In the 8th century, in China, there was a poem written by a man whose name we now write in our alphabet as Du Fu.* It’s a short poem, 8 lines, and in it Du Fu addresses a friend, another Chinese poet of his time, Li Bai. Du Fu was able to compress a lot … Continue reading End of the Sky–A Doomscrolling Sonnet after Du Fu
Heard this one? A Chinese poet, a shadow and the moon walk into a bar, and they order wine from a translator…Oh, that was last time, and Le Bai’s “Drinking Alone Beneath the Moon.” Well I promised I’d say a little bit more about translation in another post, as yesterday’s was already long enough. I’ve … Continue reading Translation for Poets and Other Monolinguals
What makes for a “hit” in the small province of the Internet that is yours and mine? We started off the countdown of the most liked and listened to audio pieces here this past fall by talking about the variety of poets and writers that we use for words. Yes, we present well-known poems and … Continue reading And the most liked/listened to piece this fall was…
Literature is the time-travel tourists’ Baedeker, an excellent way to visit the experience and outlooks of those no longer alive. Setting the Wayback Machine now… The 4th century B.C.E. was a pretty busy time for philosophy. Over in Greece Aristotle was homeschooling some teenager who’d become Alexander the Great. For some reason I had teachers … Continue reading The Butterfly Dream
Emily Dickinson didn’t mind at all being strange or odd in her poetry. For example: today’s poem, which after an opening line quickly goes off to a strange place and then stops at eternity in less than 40 words. In one of her best-known poems, “Because I could not stop for Death,” she saunters at … Continue reading As if the Sea should part
Our last audio piece this month had American satirist Mark Twain pointing out incongruities in the longstanding trope of the tortured poetic genius who dashes off “weird, wild, incomprehensible poems with astonishing facility, and then gets booming drunk and sleeps in the gutter.” How far back does that trope go? Well at least to 8th … Continue reading Drinking Alone Beneath the Moon
There used to be a thing, back in the Seventies when “The Sixties” were being established as a retrospective era: “The Beatles or The Stones?” The idea was that this choice, which was supposed to be somehow exclusive, was an “opener,” a what’s your (astrological) sign query that would tell the questioner who you were—or … Continue reading On the Grasshopper and the Cricket
What if you were to find out that a famous, much-loved poem was not a singleton, but that it was instead part of a pair? “The River Merchant’s Wife, A Letter” is perhaps the most famous Chinese poem in English, and it’s been widely anthologized since Ezra Pound published it in his 1915 collection of … Continue reading The River Merchant’s Wife, Another Letter
It’s time to wrap up our National Poetry Month celebration, and once more I’m going to present a piece where I wrote the words as well as the music, a piece in celebration of the unpredictability of poetic genius. In the “Song of Myself” section I presented a few days back, Whitman proclaims that America … Continue reading Confucian Ode on Blake, Dickinson, and Whitman
Frank Hudson 