Heard this one? A Chinese poet, a shadow and the moon walk into a bar, and they order wine from a translator…Oh, that was last time, and Le Bai’s “Drinking Alone Beneath the Moon.” Well I promised I’d say a little bit more about translation in another post, as yesterday’s was already long enough. I’ve … Continue reading Translation for Poets and Other Monolinguals
What makes for a “hit” in the small province of the Internet that is yours and mine? We started off the countdown of the most liked and listened to audio pieces here this past fall by talking about the variety of poets and writers that we use for words. Yes, we present well-known poems and … Continue reading And the most liked/listened to piece this fall was…
Emily Dickinson didn’t mind at all being strange or odd in her poetry. For example: today’s poem, which after an opening line quickly goes off to a strange place and then stops at eternity in less than 40 words. In one of her best-known poems, “Because I could not stop for Death,” she saunters at … Continue reading As if the Sea should part
Our last audio piece this month had American satirist Mark Twain pointing out incongruities in the longstanding trope of the tortured poetic genius who dashes off “weird, wild, incomprehensible poems with astonishing facility, and then gets booming drunk and sleeps in the gutter.” How far back does that trope go? Well at least to 8th … Continue reading Drinking Alone Beneath the Moon
There used to be a thing, back in the Seventies when “The Sixties” were being established as a retrospective era: “The Beatles or The Stones?” The idea was that this choice, which was supposed to be somehow exclusive, was an “opener,” a what’s your (astrological) sign query that would tell the questioner who you were—or … Continue reading On the Grasshopper and the Cricket
What if you were to find out that a famous, much-loved poem was not a singleton, but that it was instead part of a pair? “The River Merchant’s Wife, A Letter” is perhaps the most famous Chinese poem in English, and it’s been widely anthologized since Ezra Pound published it in his 1915 collection of … Continue reading The River Merchant’s Wife, Another Letter
It’s time to wrap up our National Poetry Month celebration, and once more I’m going to present a piece where I wrote the words as well as the music, a piece in celebration of the unpredictability of poetic genius. In the “Song of Myself” section I presented a few days back, Whitman proclaims that America … Continue reading Confucian Ode on Blake, Dickinson, and Whitman
Moving from 17th century Welsh poet Henry Vaughn we’ll jump forward to a favorite of this blog: 20th century Welsh poet Edward Thomas. Thomas is less well-known in the U.S. than he is in the U.K., perhaps because he’s sometimes classed as a “Georgian poet,” a loose classification given to early 20th century British poets … Continue reading Edward Thomas’ October
You know, I really mean it when I say I aim to combine various words (mostly poetry) with various original music. I find I’m a self-iconoclast. If I sense a few too many audio pieces leaning one way, I want to lean another. Brave listener/reader, bear with me. If you like or even love something … Continue reading For Once, Then, Something, or Robert Frost kicks it EDM
7. A Poison Tree words by William Blake. When I posted this piece this fall, I remarked that Blake never seems that popular with the blog readers/listeners here. Dave and I have always sung Blake pieces since the early days of the LYL Band, and so we persist anyway. Well, this piece finally allowed William … Continue reading Fall 2018 Parlando Project Top 10 Number 7-5
