Even though music takes half the time and focus of this project, I find myself talking about it hardly at all, which is probably unfair here “Where Music and Words Meet.” So, today I’m going to talk more about music. If that’s not your interest, I’m still going to ask you to keep reading, as … Continue reading Jimi Hendrix 2018
Today’s piece uses my own words to present some images regarding American musician and songwriter Jimi Hendrix. Just like William Carlos Williams meditation on a small plant last time, I pretty much follow the famous Imagist rules: direct treatment of the thing, no unnecessary words, and musical phrasing instead of mechanical metrical feet. Each one … Continue reading For the American Hendrix
It’s perhaps my favorite scene in D. A. Pennebaker’s Bob Dylan documentary Don’t Look Back. Pennebaker has setup this narrative as Dylan tours England in 1965, introduced with shots of British music newspapers touting the teen-aged Donovan as Dylan’s rival. My well-remembered scene is shot in Dylan’s Savoy hotel room, where boffins can pick out … Continue reading Brancusi’s Golden Bird
Here’s something I’ve noted in the years I’ve been doing this: these quarterly Top 10 lists advantage pieces posted earlier in the season since they have more weeks to accumulate listens and likes. So it was quite an achievement for D. H. Lawrence’s “A Winter’s Tale” posted near the end of February to make it … Continue reading The Most Popular Parlando Project audio piece this past spring is…
Despite Orrick Johns’ lack of poetic fame, our curious audience seems to be responding to “Ollendorf’s Wife.” Are you forgiving my unilateral revision of Johns’ 1917 words? OK, here’s another rule breaker. The same day that I recorded the acoustic version of“Ollendorf’s Wife” I also recorded this folk-rock performance with bass, drums, organ, and electric … Continue reading Ollendorf’s Wife ‘Bout Changes and Things
Continuing on with our countdown of the most liked and listened to audio pieces during this past summer here at the Parlando Project, today we’ll look at the pieces that came in 7 through 5 as we move up the list to the most popular piece. 7. The Hunter. Maybe, with Internet audiences, it’s the … Continue reading Summer 2018 Parlando Top Ten, Part Two
As long-time readers here will know, the Parlando Project likes to vary what it does. Loud, immediate and approximate rock’n’roll, string quartets, folkie and electronica tinges combine with words that I look around for—different stories each time, most of them not mine. Are we now going to vary from Bronze Age Chinese poetry collected to … Continue reading Sincerely, M. Cohen
It often takes a while to know who has died. When Prince died a year ago, the shock-wave for fans was breath-taking, the air went out of the room, and for each of them there was something that went missing when they got the word: the promise of new music, a memory of concert or … Continue reading Mr Nelson
Since we’ve re-established that Emily Dickinson can do simple, here’s a lovely poem of hers that introduces more than a touch of “meta” to her poetry. This poem’s first line starts the meta thing right off. You could quickly read the opening word as “Beside” without the s, and then the poets are singing in … Continue reading Besides the Autumn poets sing
Today’s piece brings the Parlando Project to 300 published audio pieces since we officially launched in August 2016. Is that a small or large number? Both. Certainly, a great deal of effort has gone into it, including effort to not use the same kind of poem throughout, and to vary the music that meets up … Continue reading Her Lips are Copper Wire
