Well, this is sort of embarrassing. The Parlando Project is about wandering about in the universe of other people’s words that I might combine with music. I wanted to cast for a wide choice of words because that was part of the core energy of one of the project’s ideas: “Other People’s Stories” and how … Continue reading The Most Popular Parlando Piece this Past Fall Was…
Before continuing with our count-down of the most liked and listened to pieces here this past autumn, let me remind newcomers what the Parlando Project does. We take words, mostly other people’s words, usually poetry, and combine them in different ways with original music. “Oh, you mean you make them into songs?” Well, sometimes, yes. … Continue reading Fall 2020 Parlando Project Top Ten, numbers 4-2, and what is it that you’re trying to do anyway?
Let me write a post about something that I experienced recently, just like a real blog would do. Early this month I attended a virtual symposium Sonnets from the American organized by Dora Malech and Laura T. Smith.* I’ve heard “Zoom Fatigue” is a thing now, but I found it energizing. I’m still integrating things … Continue reading I’m not a scholar, but I play one on the Internet
The story this time is failure, diversion, randomness, and Dada. Some of it’s mine. After the largely pleasant interruptions of the holidays, I’ve been finding it hard to concentrate extensively on new pieces. This hurts the more intricate musical compositions, research on the context of their original creation and reception, and my fresh translations of … Continue reading Ghost Blues
One of the nice things about this project is that I’m still running into poets that were essentially unknown to me. This is like one of the joys of my youthful musical life: digging through used LP records or a bin of “cutouts” looking for an interesting title, some compelling cover art, or an intriguing … Continue reading Louise Bogan’s “Song”
As promised, here’s a love poem, one written by Claude McKay the Jamaican-born poet and writer who worked for many years in the United States. McKay sort of bridges the gap between Paul Laurence Dunbar and the Harlem Renaissance for Afro-American poets. Like Dunbar, Fenton Johnson and Anne Spencer, his poetry was written early enough … Continue reading Memory of June
I can’t say what day this happened, but it was sometime in 1916 in Davenport Iowa. A well-off, Harvard-educated man in his mid-thirties named Witter Bynner was visiting a former Harvard classmate Arthur Davison Ficke in the latter’s elegant home. Besides family wealth, both men shared an interest in the arts, and both were published … Continue reading Two men walk into a hotel room, and…
Since I’ve been keeping track, one thing has been consistent with the most popular piece each season: it’s been by a poet not widely known or read in the United States. So previously we’ve seen on top after a season of your listening: my translation of Dada principal Tristan Tzara’s “The Death of Apollinaire,” the … Continue reading The most popular Parlando Project piece for Summer 2018 is…
I’ve already mentioned in this count-down that I’m sometimes surprised at what Parlando Project pieces are the most listened to. It’s not just that it isn’t always the best-known poems, a surprise factor that I’ve already mentioned, but that it sometimes isn’t a performance that I think I pulled off well. Such is the case … Continue reading The Most Popular Parlando Project Piece for Spring 2018
When I look at a more well-known poet or poem, I often find someone else less well-remembered connected with them. This sort of thing naturally intrigues me. Are we overlooking something of interest? Does this lesser-known person change our understanding of the more well-known poet? I’ve noted earlier this month that Carl Sandburg won the … Continue reading When I Was a Young Girl
