One unusual thing I did this spring to celebrate National Poetry Month was to re-release 31 pieces from the early years of this project. This was a way, despite reduced time and opportunities to create new pieces, to still celebrate and demonstrate the various poems and music combinations of the Parlando Project. That April batch … Continue reading The most popular Parlando Project piece for spring 2022
Sometime before The Police made it an album title, this project’s alternate voice and keyboard player Dave Moore took to using the term synchronicity to explain some things that going forward cause significant effects where there was no pre-existing reason or even connection. Maybe me seeing Dave read a poem in a church while we … Continue reading Synchronicity: Spring 2022 Parlando Top Ten numbers 4-2
Ever wanted to visit an old school flame? Maybe not even for romance, just to catch up on what they’re doing, or to let them know what you’ve been up to? Well, in 1911 24-year-old Hilda Doolittle visited London to meet up with Ezra Pound who she knew from the University of Pennsylvania. Pound was … Continue reading H. D.’s “The Pool” for National Poetry Month
A little contrast here in poetic fame from Shakespeare to a poet who’s equally unknown under each of his names: Joseph Campbell/Seosamh MacCathmhaoil. Most of his poetry was published under that first name, not the Gaelic version, and so I’ll use it today, even though I’m always obligated to say “No, not that Power of … Continue reading Night, and I Traveling for National Poetry Month
It’s Easter and time to close my short Edward Thomas series for National Poetry Month with a short elegy written by a poet both less and more known than Thomas in the United States. But before I get to that, let me fill in a few spaces in the Edward Thomas story. I ran into … Continue reading Easter Monday (In Memoriam E. T.) for National Poetry Month
Just suppose that back in the 1920s someone wanted to record a Blues song based on Emily Dickinson’s “A Soul selects her own Society,” and so they waxed a 78 rpm platter at Paramount records “New York Recording Laboratories,” located back then in, well, Wisconsin.* If they did, it might sound a little like this. … Continue reading Soul Selector Blues for National Poetry Month
Though an often-puzzling poem, Eliot’s “The Waste Land” is tightly written. I’m not talking about some raw stat like its number of lines, but that the language itself works in its sentences and small phrases directly and without much waste. That’s not a Modernist-only tactic, but early Modernism did make it a goal. And a … Continue reading On the Troop Ship to Gallipoli for National Poetry Month
Within the limited time I can find for it, I’ve been informally surveying what others online are doing for National Poetry Month. I’ll make one casual observation, unbacked by rigor or focused study: a great deal I’ve seen this April is aimed solely at the supply side for poetry. I’ve got nothing against urging more … Continue reading Letters to Dead Imagists and A Pact for National Poetry Month
It’s National Poetry Month, and we’re celebrating here by re-releasing some of my favorite pieces from early in this project’s six-year history. Today’s poem’s poet is American Robert Frost speaking about spring, spring winds, and the poets’ transcendental task of continuing and shaping nature. I’ve often reminded readers here that I didn’t care for Robert … Continue reading The Aim Was Song for National Poetry Month
It was difficult to return to work on new pieces for this project yesterday. November was blustery and very gray, the whole world seemed to shiver. It was weather to huddle up, as curled and still and hidden as one could be. None-the-less I rode my bike to breakfast, and when I rode past a … Continue reading Lament (after Sheng-yu’s Lament by Mei Yao-che’en)
Frank Hudson 