I’m going to return to an old favorite of this project, a poet who helped change modern English poetry and yet is largely forgotten: F. S. Flint. Long-time readers (or those of you that have taken a stroll through the archives here) might remember the highlights. Born in 1885 a London slum kid for whom … Continue reading A Song of Change
Just a couple of posts back I said that early Carl Sandburg poetry can be just as aligned with the ideals of the Imagist school as the Trans-Atlantic poets such as the then contemporary work of Ezra Pound, Amy Lowell, H.D., Richard Aldington, F. S. Flint, T. S. Eliot, William Carlos Williams, and T. E. … Continue reading Back Yard
Long time readers/listeners here know I like to look for the Modernist outliers and less-remembered poets, and today we have one of those: Orrick Johns. But as a bonus, today’s piece by Johns likely influenced one of the most famous American short modernist poems. So, we’re only one remove from “poetry’s greatest hits” with “Blue … Continue reading Blue Undershirts
Here’s my performance of the concluding segment of “The Fire Sermon” portion of “The Waste Land” which I presented for this year’s National Poetry Month celebration. If you want to hear the earlier sections, they’re all here along with over 300 other audio pieces presenting a variety of poetry combined with original music. The middle … Continue reading To Carthage then I Came
Let me introduce newcomers to one of this project’s “finds,” the little-known early 20th century English poet Charlotte Mew. Of course, I didn’t really find her, some of her English contemporaries did, and they waged an unsuccessful campaign to bring her work to greater attention. Among those who thought she deserved more attention: Thomas Hardy, … Continue reading Not for that City
Was I being audacious when I compared Eliot’s “The Waste Land” to a modern hip hop/rap production sampling various parts and levels of the world’s culture? I don’t think so (though maybe I should be worried). I’m not going to get into a rap battle between T. S. Eliot vs. Missy Elliot, or a discussion … Continue reading Sweet Thames
A bit earlier this month we presented a landmark very short Imagist poem, Ezra Pound’s “In a Station of the Metro.” 14 words, and a prime example of the Modernist’s reaction to the rhetorical flourishes of a worn-out 19th century. Today I’m going to release a Robert Frost response, a 47-word rejoinder, a spring poem … Continue reading A Spring Song with Some Winter In It: Frost’s “A Patch of Old Snow”
As we were going to school this morning, my son and I were listening to reports from the South by Southwest event in Austin this week. The guy on the radio was explaining that while SXSW has broadened over the years, it’s still the place to go for Alternative Music. “I wonder where you go … Continue reading In a Station of the Metro
Have you heard the name Charlotte Mew? I hadn’t until I came upon it in Herbert Monro’s 1920 Some Contemporary Poets this month. Last post I presented Walter J. Turner, another now-forgotten early 20th century poet found in Monro’s book-length survey of his era’s British poetry. While I doubt we will ever see a full-fledged … Continue reading The Changeling
Here’s a poem and poet with a mystery. “Red Rooster” was written in 1917. It’s an Imagist poem, a good example of how this pioneering school of poetic Modernism might present things directly, without nearly as much scholarly allusion as later Modernism was prone too. The same year this poem was written, its poet was … Continue reading Red Rooster
