In 1922, amazing Afro-American polymath James Weldon Johnson* published an audacious anthology titled The Book of American Negro Poetry. Not only did it claim that there was a tradition worth an anthology at that early date; in his preface Johnson made the observation that Afro-American music was disproportionately important in American musical culture, and furthermore … Continue reading Anne Spencer’s “Dunbar” for National Poetry Month
We’ve had Edward Thomas and Henry Vaughn waxing medicinal about autumn and affliction, and now it’s time to head back across the Atlantic to see what metaphor American poet Paul Laurence Dunbar brings to the season. By coming to prominence in the 19th century, decades before James Weldon Johnson’s 1922 Book of American Negro Poetry … Continue reading Dunbar’s October
Here’s a sharp short poem about an alienated performer written by a little-known Afro-American poet who slots in between Paul Laurence Dunbar and Langston Hughes, Raymond G. Dandridge.* Given that most 20th century Afro-American poets get placed in the “Harlem Renaissance” shelf-section, it’s notable that all three of these Black poets have connections with Ohio. … Continue reading Zalka Peetruza (Who Was Christened Lucy Jane) for National Poetry Month
Let me write a post about something that I experienced recently, just like a real blog would do. Early this month I attended a virtual symposium Sonnets from the American organized by Dora Malech and Laura T. Smith.* I’ve heard “Zoom Fatigue” is a thing now, but I found it energizing. I’m still integrating things … Continue reading I’m not a scholar, but I play one on the Internet
Today I present the other widely anthologized Paul Laurence Dunbar poem: “We Wear the Mask.” I was going to put a “now” qualifier in front of “widely” above, but that made for an awkward sentence. I think it’s worth burning at least another sentence to note that. In looking for some more Dunbar information, I … Continue reading We Wear the Mask
The last two times I presented poems by Paul Laurence Dunbar here I went out on a limb on subtexts that might be present in those poems. “October” is on the surface a harvest “Happy Autumn” poem, but there’s an element in it of the personified rich harvest’s carefree possession of wealth. Just a handy … Continue reading Sympathy (I Know Why the Caged Bird Sings)
Continuing on with our countdown of the most popular pieces here this past spring, I find a few things that break the usual patterns. So let’s get on with it and see what we find that were the most liked and listened to since March 1st. The bold-face titles are links to the original post … Continue reading Spring 2020 Parlando Top Ten, numbers 4-2
Back now to our recounting of the pieces that you, our readers and listeners, most liked and listened to this past winter. Let’s jump back in as we count them down. 7. “We Wear the Mask” by Paul Laurence Dunbar. This one is remarkable in that it was released on February 24th, very late in … Continue reading Winter 2020 Parlando Top Ten, numbers 7-5
It’s time to look back on the past season and to look once more at the most listened to and liked pieces over that time. We do this in the classic count-down method, moving from the 10th most popular to the most popular piece. This time I’m going to link to the original post each … Continue reading Fall 2019 Parlando Top Ten, numbers 10-8
Here’s another early Langston Hughes poem from The Weary Blues, his collection which I’ve chosen to focus on during this Black History Month. Given Hughes’ esteemed position as part of the Harlem Renaissance and the long career that followed, it may be hard to remember that this is a poem by a young man, less … Continue reading Lenox Avenue: Midnight, an extension
Frank Hudson 