There’s a story that a poet once read a poem to a small group. There were a few murmurs in that small audience, that kind of appreciation — the kind that a not-uncommon everyday poet might expect at a public reading. It’s a sound that says “That certainly sounded like something. Might be good, but can I trust myself? That was poetry, and poets can be clearly beautiful without being, well, clear.”
Yes, there are poems that can cause amen shouts. Yes, there are poems where audiences will applaud. Some of those poems are useful, and isn’t that a kind of beauty? Yes it is — but I said this was one of those poems one more commonly hears when a poet reads.
This time, one listener in the small audience spoke up. “What does that poem mean?” they asked.
The poet looked at the honest questioner for a moment. Looked down at the podium. Paused a moment more. And then they simply read the poem again.
Note, the poet didn’t chastise the listener. It’s good when readers and listeners want to know what they can take in from a set of words and sounds. The issue here is that many poems are written by sincere poets who wrote and crafted a poem without being able to express what they labored to put in the poem nearly as well otherwise. The object of such a poem isn’t a summary, an allegory, or single thread of argument or narrative, rather it may be something designed not to be vague, but to exactly reflect differently as one stands around it.
Are we to comfort and remember the ghosts or be frightened of them? Yes.
I wrote the text for today’s performance. I accumulated a few lines in my head during a day — and then when I should have been going to sleep, they asked to be written down. Three revisions later and it’s at the version I performed today. I think this is a fairly plainspoken poem, but I know from experience when I’ve presented my work to other people they often find poems in this style baffling and ineffective, this even though they too are poets. I could write here about what they’ve suggested, and what I’ve resisted in those suggestions, but let’s defer that for now. I could also write about what engendered this poem, what the lines seemed to mean when I looked at them from a variety of directions, but tonight I feel the poem at this level of revision says what it should say as well as I can say it in its resonances and refractions. You can hear me perform “Ghosts” with the player gadget below. Don’t see any such player? Use this highlighted link and it will open a new tab with an alternative player so that you can hear it.